‘Hoof Weights’ (2023), Stoneware and Earthenware ,18.5 x 15.5 cm
‘Hoof Weights’ (2023), Stoneware and Earthenware ,18.5 x 15.5 cm
‘Hoof Weights’ (2023), Stoneware and Earthenware , 18.5 x 15.5 cm, 22cm x18cm
‘Hoof Weights’ (2023), Stoneware and Earthenware ,18.5 x 15.5 cm
‘Hoof Weights’ (2023), Stoneware and Earthenware , 18.5 x 15.5 cm, 22cm x18cm
‘Hay and Wigs and Over Reach Boots in Exhibition Space’ (2023), un-specified
‘Hay and Wigs and Over Reach Boots in Exhibition Space’ (2023), un-specified
‘Hay and Wigs and Over Reach Boots in Exhibition Space’ (2023), un-specified
‘Hay and Wigs and Over Reach Boots in Exhibition Space’ (2023), un-specified
‘Hay and Wigs and Over Reach Boots in Exhibition Space’ (2023), un-specified
‘Plastic hoofs and Over Reach Boots in Exhibition Space’ (2023), un-specified
‘Miss Hazard, 3rd Place’ (2023), Steel, Copper Nitrate Patina and Spray Paint, 128 x 20 cm
‘Miss Arbroath, 1959 (green)’ (2023), Screen Print, Acrylic, 59.4 x 84.1 cm
‘Miss Arbroath, 1959 (pink)’ (2023), Screen Print, Acrylic, 59.4 x 84.1 cm
‘Miss Arbroath, 1959 (purple)’ (2023), Screen Print, Acrylic, 59.4 x 84.1 cm
‘Miss Arbroath, 1959 (blue)’ (2023), Screen Print, Acrylic, 59.4 x 84.1 cm
‘Miss Arbroath, 1959 (pink, purple,green and blue)’ (2023), Screen Print, Acrylic, 59.4 x 84.1 cm
.‘I Enjoy Being a Horse Girl’, (2023), Screen Print, Acrylic, 29.7 x 42 cm
‘Desperate Horse Wife’ (2023), Screen Print, Acrylic, 21 x 29.7cm
‘Gully and Tulli at The Soirée’, (2023), Oil on Canvas, 29.7 x 42 cm
‘Un-stabled’
Georgia Dunn (she/her) is an interdisciplinary artist whose work concern’s identity politics, humour, and absurdism. Georgia’s art practice uses different media, focusing on sculpture, print, and performance. Georgia’s works address the socio-cultural topics of gender hierarchies, signified body types, human-to-animal relationships, and voyeurism.
Un-stabled invites audiences to engage in fantastical realism through camp aesthetics. In herdisplays of oversized ceramic and metal objects and fluorescent colour palette, Georgia creates a heightened version of reality. Georgia draws visual inspiration from collage- particularly from the Riot Grrrl zines of the 1990s; this reference is identifiable in Georgia’s graphic tri-tonal screen prints and finer work that traces over collaged images of horses and burlesque starlets.